2025

Unsung characters for adaptation in dance (Part 3) 
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com

Cosmic cadence through proscenium time:
Question and evolution of space across times in Bharatanatyam 
- Brinda Dhar
e-mail: brindadhar8@gmail.com

A special Guru-Shishya Bharatanatyam connection - from Kolkata to Ottawa 
- Kate Macdonald
e-mail: katetmacd@gmail.com

The rhythm that always is (Dance Katha) 
- Divya Anand
e-mail: div.lavendergirl@gmail.com

A magical moment forever etched in my heart 
- Ananya Nair
e-mail: an115@rice.edu

Unsung characters for adaptation in dance (Part 2) 
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com

The use of Mudras in Odissi dance: A symbolic language of expression and spirituality 
- Sunandini Das
e-mail: dsunandini0804@gmail.com

Bonds beyond boundaries 
- Ranee Kumar
e-mail: Ranee@journalist.com

Unsung characters for adaptation in dance (Part 1) 
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com

Comedy Natyam - An experiment that marks the thick line between comedy and mockery
- Ramaa Venugopalan
e-mail: ramaa17@gmail.com

MOVE 2025 - World Dance Day Online Festival
- Michelle Jueney e-mail: move.iwdd@gmail.com

A tribute unto the Guru
- Lata Surendra
e-mail: latasurendra@hotmail.com

Enriching dance with depth and meaning
- Ratna Bharati Acharya
e-mail: ratnabharati@gmail.com

Natyacharya V.P.Dhananjayan's conceptual offering - 'Noothana Karanas'
- Dr. Vinod Gopalakrishnan

INDIAN BALLET (1975 -1989) - Achievements, problems and growth
- Bharat Sharma
e-mail: bhasha.dance@gmail.com
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