Is it time to rethink the beloved nayikas? 
- S. Janaki
e-mail: esjay60vasan@gmail.com
Handing over a tradition
- Renu Ramanath
e-mail: renuramanath@outlook.com
Drawing parallels between Taylor Swift's Eras Tour and Bharatanatyam
- Prakruthi Kolay
e-mail: prakruthipls@gmail.com
Pencils and Pirouettes
- Shruti Patki
e-mail: reachme@skilshruti.com
The connection is in the creativity, sustainable communities through Community based Arts
- Serenity Wise
e-mal: serenitish@yahoo.com
In Response to Gayatri
Iyer’s article in The Hindu about Indian classical dance and Queerness -
In context of Dharmic Texts, Characters and Bharatanatyam
- Ramaa Venugopalan
e-mail: ramaa17@gmail.com
Alice beyond the Victorian Era
- Dyumna Chhabra
e-mail: dyumna@tlfcb.org
The impact of songs in series like Heeramandi on Kathak artistes
- Shruti Patki
e-mail: reachme@skilshruti.com
Uday Shankar in Almora
- Bharat Sharma
e-mail: bhasha.dance @gmail.com
Why you must watch Madu
- Dyumna Chhabra
e-mail: dyumna@tlfcb.org
Reframing Swati Padams: A conversation with Dr. Neena Prasad
- Shereen Saif
e-mail: shereen.saif@gmail.com
Paying for a performance
A dancer's perspective
- Divya Anand
e-mail: div.lavendergirl@gmail.com
4th Edition of MOVE 2024
International World Dance Day Online Festival
April 29, 2024
- Michelle Jueney
Brahmanical interventions in Kerala’s musical legacy
- V. Kaladharan
e-mail: kaladh@rediffmail.com
On Mohiniyattam's ascent
- Mythili Maratt Anoop
e-mail: mythili.moham@gmail.com
Technology takes over techniques of naatya
- VP Dhananjayan
e-mail: bkalanjali@gmail.com
Entrepreneurship in performing arts
- Aparna Vasudevan
e-mail: aparnavg4@gmail.com
Reappraising Bharatanatyam for physical, psychological and psychosocial benefits
- Krithika V Balaji
e-mail: krithikabalaji1978@gmail.com
Response to T. M. Krishna's Opinion article
- Jeetendra Hirschfeld
e-mail: sathirdance@gmail.com
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