2025
Unsung characters for adaptation in dance (Part 3) 
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com
Cosmic cadence through proscenium time:
Question and evolution of space across times in Bharatanatyam
- Brinda Dhar
e-mail: brindadhar8@gmail.com
A special Guru-Shishya Bharatanatyam connection - from Kolkata to Ottawa
- Kate Macdonald
e-mail: katetmacd@gmail.com
The rhythm that always is (Dance Katha)
- Divya Anand
e-mail: div.lavendergirl@gmail.com
A magical moment forever etched in my heart
- Ananya Nair
e-mail: an115@rice.edu
Unsung characters for adaptation in dance (Part 2)
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com
The use of Mudras in Odissi dance: A symbolic language of expression and spirituality
- Sunandini Das
e-mail: dsunandini0804@gmail.com
Bonds beyond boundaries
- Ranee Kumar
e-mail: Ranee@journalist.com
Unsung characters for adaptation in dance (Part 1)
- Dr. Padmaja Suresh
e-mail: padmajasuresh@hotmail.com
Comedy Natyam - An experiment that marks the thick line between comedy and mockery
- Ramaa Venugopalan
e-mail: ramaa17@gmail.com
MOVE 2025 - World Dance Day Online Festival
- Michelle Jueney
e-mail: move.iwdd@gmail.com
A tribute unto the Guru
- Lata Surendra
e-mail: latasurendra@hotmail.com
Enriching dance with depth and meaning
- Ratna Bharati Acharya
e-mail: ratnabharati@gmail.com
Natyacharya V.P.Dhananjayan's conceptual offering - 'Noothana Karanas'
- Dr. Vinod Gopalakrishnan
INDIAN BALLET (1975 -1989) - Achievements, problems and growth
- Bharat Sharma
e-mail: bhasha.dance@gmail.com
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