featured in 2011
How Malavika Sarukkai led me first to heaven, then to hospital
- Bruno Kavanagh
Sabha hoppers
- GS Rajan
e-mail: malabarian@yahoo.com
Pavakathakali
- Kapila Venu
e-mail: abhinayakairali@gmail.com
Spaces for Engagement: art on a pavement (possibly)
- Vikram Iyengar, Kolkata
e-mail: info@rananindia.com
Bharatanatyam: Present and future at the hands of NRIs
- Prathiba Natesan
e-mail: prathibachaj@gmail.com
Response
To throw stones at tradition
- Subhalakshmi Kumar
Response to Subhalakshmi Kumar’s article To throw stones at tradition
- Prathiba Natesan
In and around Bhubaneswar
- Lalitha Venkat, Chennai
e-mail: lalvenkat@yahoo.com
Lateral teaching
- Nalini Raghu
The dancer's world
- Radhika Prabhu, Bangalore
e-mail: radhikaprbh@gmail.com
Cultural Heritage tour 2011
- Usha Raghavan, London
e-mail: u_raghavan@yahoo.com
Dear Devadasi: a poem
- Ashley
e-mail: mgashley@ymail.com
Benefits of dance
- Rajyshree Ramesh, Germany
e-mail: info@rr-dance.net
Critiquing the critique
- Lucinda Al-Zoghbi, London
e-mail: l.alzoghbi@gmail.com
Raagas for time and moods
- VP Dhananjayan, Chennai
e-mail: bkalanjali@gmail.com
Dance Criticism - A Report from the Attakkalari India Biennial 2011
- Ranjana Dave, Mumbai
e-mail: ranjanadave1988@gmail.com
Composing for dance
- GS Rajan
e-mail: malabarian@yahoo.com
Responses
Aesthetics of aesthetics
- Nanditha Prabhu, Chennai
e-mail: prabhu.nandu@gmail.com
Harikatha Kalakshepa
- Dr. BM Sundaram, Pondicherry
e-mail: beeyemsundaram@yahoo.com
Kala Ghoda - Why horse around with performers?
- Veena Basavarajaiah, Bangalore
e-mail: veenabasavarajaiah@gmail.com
Ambassadors of our Art
- Sindhoor Pangal, Bangalore
e-mail: sindhoor@gmail.com
Seasonal jitters!
- Priya Raman, Hyderabad
e-mail: priyans03@gmail.com
Our role in conservation of Indian culture and performing arts
- Soumyasree, Aurangabad
e-mail: devmudraa@yahoo.in
Response
Anish Kapoor: Bharatanatyam artist?
- Geeta Chandran, Delhi
e-mail: geetachandran@gmail.com
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