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Anita says
Roving Eye
Taalam-Leela Venkataraman
Dance Matters-Ashish Mohan Khokar
Ratikant Mohapatra calling
The Eastern Eye-Dr. Utpal K Banerjee
Unmute
Soch-Dr. Arshiya Sethi
Between two worlds-Janaki Patrik
Dancing on Air: Column by Kathakali Jana
Not just anyBODY-health and fitness
Seen and Heard-Lakshmi Vishwanathan
Trending-Ashish Mohan Khokar
The Dance History-Ashish Mohan Khokar
Ask Mrinalini-Archives
Footloose and fancy free-Dr. Sunil Kothari
Globetrotting-Sunil Kothari
Base Notes
Friendly Fire-Anita Ratnam
More...
featured in 2003
From the mouth of a Mahari
by Rahul Acharya, Bhubaneswar
Photos by Rahul Acharya
e-mail: rahul_acharya@rediffmail.com
No capital, no interest, no demand: the state of performing arts in Chennai
Usha Vasanth Kumar & T B Unni Krishnan, Chennai
e-mail: marga2001@rediffmail.com
Threads for thought
by Rajashree Ranganathan
e-mail: rajashree_nr@yahoo.com
Mysore style of Bharathanatyam - Origin and Evolution
by Shruthi Mukund, Potomac, MD
e-mail: shrushyam@yahoo.com
Seminar on Patrapravesam from Rukmini Devi's dance dramas
- Sept 17, 2003
by Prof. A Janardhanan, Chennai
c/o e-mail: mithru777@yahoo.com
Ram Gopal - memorable encounters
by Chitra Sundaram, London
e-mail: suchitdance@yahoo.com
Theatrical links between Koodiyaattam and Kathakali
by C P Unnikrishnan, Kochi
e-mail: bharathamuni@satyam.net.in
In response to the “Point of view” by T J S George, Sunday Express dated 14th September 2003, this rejoinder was written by V P Dhananjayan
(founder & president, Bharata Kalanjali) to the editor, New Indian Express / Sunday Express, Chennai
Ref: Article: Remember Rukmini, but why forget Bala
Rejuvenation of the folk elements in Mohiniyattam
By Natana Kaisiki, the Mohiniyattam Dept. of Natana Kairali, Irinjalakuda
by Nirmala Paniker, Irinjalakuda
Kings to sabhas to corporates: the politics of patronage
by Lada Guruden Singh, New Delhi
e-mail: ladasinghg@yahoo.com
South Indian Performing Arts:
Whence? Where Now? Whither?
by Kollengode S Venkataraman, PA
e-mail: ThePatrika@aol.com
To hear and be heard
by Lalitha Venkat, Chennai
e-mail: lalvenkat@yahoo.com
An experience at a Kathak Workshop
by Prasanna Kasthuri, St. Louis, MO, USA
e-mail: sooryadance@yahoo.com
World Friendship Yatra to Mansarovar and Kailash
Anecdote from Atlanta
by V P Dhananjayan, Chennai
e-mail: bkalanjali@eth.net
Sensual sringara to bhakti boredom: the brahminisation of Bharatanatyam
by Lada Guruden Singh, New Delhi
e-mail: ladasinghg@yahoo.com
Mayura Casuba: A rising young Kathak artiste
by Bhasyam G Iyengar, NY
e-mail: biyengar333@yahoo.com
“Past your Prime -Ageism in dance”
A commentary from across the continent …
by Ramaa Bharadvaj,Yorba Linda, CA, USA
e-mail: angahara-ramaa@yahoo.com
Contemplations of a Choreographer
by Sam Kumar, Chennai
e-mail: sam_kumar1@yahoo.com
No dancing after 45 - Ruling from Justice A K Sikri
by G S Rajan, New Delhi
e-mail: anniraj@nda.vsnl.net
Mohiniattam in Missouri
by Anuradha Chellappa, St.Louis, Missouri
e-mail: anuchellappa@yahoo.com
BharataNatyam: A Kala and its Biological Implications
by Ruchita Vasant Somane
M.A, Part II Dept. of Sanskrit, University of Mumbai
e-mail: ruchitasomane@hotmail.com
Marga
by Usha Vasanthkumar, Chennai
e-mail: nathasha_2001@yahoo.com
DANCE FOR THE CAMERA
by Ileana Citaristi, Bhubaneswar
e-mail: ileana5@hotmail.com
SEVENTY YEARS OF BHARATANATYAM
by Geeta Chandran, New Delhi
e-mail: natyavriksha@hotmail.com
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