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| Report
Bharata
Nrityam at Indian Consulate
April 23, 2006
Bala danced with remarkable dedication and involvement. Her fine grip and skill in aspects of laya were seen in the invocatory Pushpanjali in Arabhi and other Nritta numbers, bringing out the execution of intricate rhythmic patterns with grace and sparkle. The abhinaya for the lyrical content of the Shringara and devotional padams were treated with appropriate facial expressions. Her angika abhinaya movements transcended the mundane, as her expression were evocative. Bala's exhilarating performance held the audience captive through the program. As part of the post performance discussion, Bala shared her knowledge based on her guru Padma Subrahmanyam's scholarly research and study of Natya Shastra and emphasized the importance of studying and imbibing the technique that Natya Shastra offers. Bala gave valid and appropriate explanation for questions from the audience on issues of connectivity between the artist and the onlooker, the common cultural ethos of Asia and so on. Through her performance and talk, Bala reiterated her guru's research in bridging the gap between theory and practice and the margi tradition being a strong source of inspiration to contemporary practice in Indian classical dance. |