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 Reclaiming the Margins: The power of embodied narrative in Amba-Shikhandi - Dr. Rashmi Prasad e-mail: natyadeepika@gmail.com Photos: Madhusoodhan April 5, 2025 The solo performance Amba-Shikhandi on 16th of March at Seva Sadan, Bangalore, offered a powerful reinterpretation of the Mahabharata, using the dancer's body as both an expressive tool and a site of resistance. Through deeply evocative movement, the performance brought to light the often overlooked trauma of Amba and Shikhandi, revealing the entrenched systems of oppression within the epic's narrative. This production transcended time, turning ancient mythology into an immediate and urgent experience - one that actively questions dominant historical perspectives while reclaiming silenced voices. A master class in emotional intensity and physical storytelling, Amba-Shikhandi asserted dance's ability to interrogate and reimagine. By centring the experiences of marginalized figures, the performance became an act of reclamation - one that challenges, illuminates, and ultimately redefines the role of dance in contemporary discourse.  Bringing a solo dance-theatre production to life demands extraordinary skill, and Bhuvana Guruprasad rose to the challenge with remarkable dexterity. Seamlessly transitioning between multiple characters, she imbued each with distinct emotional and psychological depth. Her refined abhinaya, precise movements, and commanding stage presence captivated the audience, immersing them in Amba's tumultuous journey. The dedication evident in the research and artistic execution set this production apart as a truly exceptional work. One of the production's most compelling aspects was its dynamic use of costume transitions. With astonishing fluidity, Bhuvana transformed from one character to another, creating the illusion of multiple personas coexisting within the same space. Each carefully curated costume symbolized a distinct stage of Amba's evolution, adding layers of meaning and emotional depth to the performance. Equally vital was the production's masterful use of lighting. The interplay between light and shadow served as an extension of the dancer's expression, enhancing mood and marking transitions without interrupting the seamless flow of the narrative. This thoughtful integration of visual elements amplified the intensity of the storytelling, deepening the audience's engagement. From its music and choreography to its theatrical execution, every facet of Amba-Shikhandi was meticulously crafted to create an immersive experience. The evocative musical score enriched the narrative, heightening the audience's emotional investment in the unfolding drama. The music ensemble had music, flute, veena, morsing and narration - Mahesh Swamy, dialogues - Dr. Karuna Vijayendra, vocal - DS Srivatsa, mridangam - Srihari Rangaswami, violin - Srinidhi R Mathur, rhythm and jathi rendering - Karthik Datar, keyboard - Venugopal Venky. Concept and creative choreography were by Guru Seetha Guruprasad and script by Vani Kulkarni.  More than a demonstration of artistic prowess, this production showcased the innovative potential of Bharatanatyam-based theatre, proving that classical traditions can thrive alongside contemporary experimentation. Under the visionary guidance of Guru Seetha Guruprasad, the Bharatanjali Institute continues to set new standards for solo dance-theatre productions, expanding the possibilities of classical storytelling. Presented annually as part of Bhuvana's birthday celebration, such creative endeavours serve as an inspiration to the wider dance community. May this tradition of innovation and excellence continue to inspire for years to come. More than a retelling, Amba-Shikhandi offered a poignant critique of gender and power dynamics. The performer's embodiment of fractured identities fostered profound empathy, compelling the audience to confront the enduring effects of patriarchal structures. Through raw physical expression, the piece challenged traditional storytelling, cementing its place as a significant contribution to the discourse on dance as a vehicle for social commentary. A master class in emotional depth and physical storytelling, Amba-Shikhandi underscores dance's transformative potential. By centring the voices of marginalized figures, the performance becomes an act of reclamation - one that interrogates, illuminates, and redefines the role of dance in contemporary discourse. Dr. Rashmi Prasad is Guest Faculty of Dance, Dept of Performing Arts, Bangalore University. |
