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![]() Manamohana: A visual treat - Satish Suri e-mail: satishism@yahoo.co.in Photo: K.S.Krishnamurthy December 18, 2018 ![]() The varnam "Sarasijakshidu" in Kalyani and roopaka tala,wherein the nayika addresses the Lord Rajagopala, "I am filled with passion, O lotus-eyed one, do not delay any more.However captivating and knowledgeable you are do not neglect me. The flower arrows of Marudu torment me. Come and embrace me." The varnam set on leisurely pace was studded with an interesting mosaic of movements, nritta formations, arresting lines, and noteworthy use of the eyes, the sringara expressive, dignified and delightful, developing the abhinaya with the progression of the varnam, with well-executed teermanams matching the musical frame. Radiating confidence, athleticism and speed while maintaining grace was the hallmark of her rendition. Shreema followed with a Kanakadasa composition "Baro Krishnayya" where the devotee asks little Krishna to visit his home. 'The small jingles that adorn your feet and your flute make beautiful music.' Capturing the various emotions, the artist's dexterity provided for an absorbing number. The thillana, a composition of Balamuralikrishna in Brindavani was an appropriate finale delineated with joy and which perceptibly exhibited her stagecraft and credentials that qualified a commitment and attestation of her training under her Guru Praveen Kumar. A lively musical score with Praveen Kumar (nattuvangam), Debur Srivatsa (vocals), Mandya Nagaraj (violin), Lingaraju (mridangam) and Mahesh Swamy (flute), added value and embellished the presentation. Bangalore based Satish Suri is an avid dance rasika besides being a life member of the Music and Arts Society. |
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