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ANVESHANA: International Performing Arts Conference
Call for papers

February 23, 2024



ANVESHANA, the Biennial performing arts conference of the WUD School of Performing Arts in Sonipat, is a pioneering international platform that aims to reimagining the landscape of performing arts in India. This conference is designed to create a dynamic intersection of tradition, innovation, and technology; become a catalyst for transformative conversations & creations; and foster a global dialogue that’ll help shape the future of traditional dance forms.

ANVESHANA seeks to explore the synergy between traditional dance forms and cutting-edge innovations in the realm of performing arts. By fostering collaborations between artists and technologists, the conference will aim to push the boundaries of creativity while preserving the essence of cultural heritage. ANVESHANA will celebrate linguistic diversity by encouraging performances, discussions, and presentations in various languages from around the world, contributing to a global dialogue. ANVESHANA will also explore how technology can be seamlessly integrated into traditional dance forms, opening up new possibilities for expression and engagement. It will seek to create a space where artists and technologists can co-create, learn from each other, and contribute to the evolution of performing arts. ANVESHANA will serve as a platform for thought-provoking discussions, academic presentations, and artistic expressions that contribute to the ongoing dialogue between tradition and modernity within the Indian Knowledge System. ANVESHANA is committed to envisioning a future for traditional dance that is both rooted in heritage and forward-looking.

ANVESHANA is not merely a conference; ANVESHANA will bring artists, technologists, choreographers, scholars, and enthusiasts to join this unique exploration and contribute to a harmonious convergence of the past, present, and future in the realm of performing arts.

Conference Highlights
  • Hear keynote addresses from leaders from across the dance ecosystem.
  • Participate in engaging and illuminating panel discussions that will help prepare you for a brighter, more resilient future.
  • Present your work, grow your skill set, address shared problems and leave with practical tips and innovative ideas that will help advance your work.
  • Broaden your professional network and byfostering valuable relationships engaging with a diverse community of independent artists, dance presenters, agents, education providers, executive directors, and more, within the dance industry.
    • All accepted papers will be published in an ISBN book of proceedings.
    Individual E-Certificates will be given to all registered authors.

    Topic/Questions
    Topics/Questions to be explored at the conference, but are not limited to the following (Both English/Hindi papers are accepted):
    1. Allied Arts and their Profound Influence on Dance Production
    2. Contribution of Indian Knowledge system in reclaiming cultural heritage.
    3. Balancing artistic expression with cultural sensitivity.
    4. Choreographic Innovations in Indian Classical Dance
    5. Colonial influences on classical dance.
    6. Dance as a tool for stress relief/emotional well-being / Physical / Mental health
    7. Ethical Choreography and Storytelling.
    8. Gender-Based Challenges and Opportunities in the Field of Dance.
    9. Incorporating modern educational tools and techniques.
    10. Integrating traditional Indian crafts in dance costumes and sets.
    11. Integration of Artificial Intelligence (AI) in choreography
    12. Interdisciplinary Dance Collaborations: Fusing Movement with Music, Visual Arts, Design, Science, and Technology for Innovative Artistry
    13. Performing Arts and Aesthetics( Ras/Bhaav)
    14. Progressive Approaches to Dance Education: Advancements in Teaching Methods.
    15. Promoting inclusivity and breaking caste barriers in dance education and performance.
    16. Role of dance in promoting social awareness/cultural/activism.
    17. Scope of academic research on various aspects of Indian classical dance.
    18. Significance of Digital Archiving and Documentation in performing arts.
    19. Strategies for reclaiming and decolonizing classical dance practices.
    20. Symbiotic relationship between dance and music.
    21. The impact of globalization on the perception and practice of classical dance.
    22. The influence of literature and mythology on dance narratives.
    23.  The Symbiotic Relationship between Dance and Architecture in Shaping Spatial Experiences.
    24. Trends and Innovation in Dance

    Formats for Presentation
  • Individual Papers - 15 minutes (total time for presentation + discussion).
  • Performances - 20 minutes total time (presentation- including any introductory comments and performance of a newly created dance or dance excerpt for which the choreographer wishes to obtain comments/feedback. This can be group/solo presentation + Q&A/feedback from attendees or introduction of the performance.)

    • Submission Guidelines for Papers
  • Paper should be written in A4 size format, 12pts Times New Roman font with for English OR 12pts Nirmala UI/Krutidev 010 font for Hindi.
  • Full paper word limit is 3500 words.
  • Please submit your abstract and paper through anveshana.sopa@wud.ac.in (Remember to mention your institutional affiliation, full name, and phone number in the body of the mail.)
  • We expect original works. Add in remarks, If assisted by AI.
  • PPTs are expected to be carried along for further presentation of the paper during the time of the conference. Presentations to be given should be 10 - 15 minutes in length which will be followed by a Q & A session.

    • Submission Guidelines for Performance
  • Abstract word limit is 250–300-word, outlining the essence, theme, and objectives of the performance.
  • Solo, duet, or group (max 5 participants) performances are accepted.
  • Duration: Total performance time + Q&A, within 20 minutes.
  • Genre: Indian classical, folk, or experimental genres.
  • Only recorded music is allowed; live accompaniment is not permitted.

    • Important Dates, Deadlines and Fees



    The registration fees cover costs for the presentation slot, networking tea, and publication fees (in the ISBN book)
  • Submission Deadline: Till 30th March 2024
  • Conveying Paper/Performance acceptance: 15th April 2024
  • Author Registration Deadline: 22nd April 2024
  • Conference: 9th – 10th May 2024

    • Review Process
  • All submissions are subject to peer review to ensure the quality and relevance of responses.
  • You will be informed accordingly if any editing is required. The School of Performing Arts, WUD reserves all rights for selection of the final submissions.

    • Organized by
    Prof. (Dr.) Sanjay Gupta - Conference Chair
    Prof. (Dr.) Parul Purohit Vats -Conference Convener
    School of Performing Arts
    World University of Design


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