South Indian Dancers in the 'Company' Style: c. 1800-1855
- Donovan Roebert
The present article deals with an assortment of oddments, by which I
mean pictures that belong to no definite pattern and which, taken
together, can't be viewed as part of an immediate contextual whole.
Andal in my classroom- A pedagogical and performative learning of an educator
- Samyukta Ninan
Engaging with Andal and her poetry while making it relevant to the current times for teenagers is not easy.
Manodharma explained by examples
- Aniruddha Knight
Let us take for example a piece from the Nandanar Charitram, "Varugalaamo Ayya".
The healing raga's lesson for us
- Renuka Narayanan
It is cherished as a favourite of Lord Shiva who is the Vaidishwar or
god of doctors, and is said to produce a feeling of empowerment and
well-being in listeners.
Rethinking mentorships, safe spaces in Indian classical arts
- Saranya Chakrapani
Artists, who are speaking up against the sexual harassment, are taking
early steps towards creating effective prevention, and inclusive,
trauma-informed redressal mechanisms.
The question of caste in Odissi dance
- Kedar Mishra
Building a better brain through music, dance and poetry
- Jon Hamilton
The link between arts and academic achievement has been noted by educators for many years.