The Afghan dance teachers who've had to leave their country behind
- Lauren Wingenroth
Makhloot and many of his crewmates have had to leave behind not only
their training club but their country, as the government collapsed in
August and the Taliban has taken over.
The myriad avatars of abhinaya
- GS Paul
G Venu's latest book 'Arangilum, Munnilum Pinnilum' is a deep
exploration of the abhinaya guru's artistic and instructional journey.
The many shades of worship
- Kathakali Jana
Arrival, Vikram Iyengar's solo digital dance presentation is inspired by the Bengali saying, 'jato mot tato poth.'
Margazhi 2021: where does the season go from here?
- Akhila Krishnamurthy
The December season is around the corner, and while in-person and
digital performances are being explored, questions are being raised
about how the two will shape the festival's future.
The artist behind the lens
- Shailaja Khanna
An ongoing exhibition of Avinash Pasricha's works features some striking portraits of dancers and musicians.
When dance mirrors life
- Rupa Srikanth
Radhika Vairavelavan's performance based on Desika Vinayakam Pillai's poetry and translations merged art and reality.
Mohiniyattam's moment of reckoning
- V. Kaladharan
Dancers wonder what can be done to popularise the youngest of Kerala's classical dance forms.
Motivated postings, BJP's propaganda have diluted NSD's spirit of protest
- Anjana Rajan
India's theatre practitioners rue the gradual deterioration of the
country's premiere drama institute and the shrinking space afforded to
institutes of culture in general, ever since the BJP government came to
power in 2014.