A hopeful Kathak soloist: Arunima Sengupta in Double Bill concert
- Navina Jafa
The glitzy intervention of technical production comprising of designer
lighting, costumes and recorded sounds distract audiences to camouflage
mediocre dance content, technique and emerging signature creativity.
Offerings to gurus
- Bhanu Kumar
Lingaraj Pradhan and Lata Surendra conveyed the beauty of their dance styles through well-choreographed pieces.
Bhavya's accent was on bhava
- Bhanu Kumar
Her performance for the Music Academy's mid-year dance festival was marked by graceful footwork and expressions.
Seeking Krishna
- Anuradha Vellat
"Gita Govinda" saw acclaimed artistes exploring different facets of the Lord.
An interesting repertoire
- Bhanu Kumar
Lokesh Raj impressed with his choice of pieces and choreographic touches.
Koodiyattam: Dexterous transformations by Kapila Venu
- VR Prabodhachandran Nayar
Kapila Venu was flawless as the demoness Soorpanakha in a Koodiyattam
recital of episodes from Ascharyachoodamani in the capital city.
A multitude of movements
- Praveen Sudevan
Attakkalari's graduation day has Teresa Rottemberg, Stefano Fardelli and
Ion Garnika presenting three distinct yet fascinating choreographies.
SGN's rich legacy in full display
- Lalithasai
The anniversary show spoke volumes of Guru Ranganayaki Jayaraman's imagination and her disciples' enterprise.
Experiments with female representation
- Vikram Phukan
In Maya Krishna Rao's 'Loose Woman,' the elemental woman can rely on both instinct and intellect...
Onstage oracle of digitally divine
- Neha Kirpal
Bharatanatyam exponent Jayalakshmi Eshwar reinvents the dance form for a second time by blending technology and tradition.
Well-sculpted performance
- Ranee Kumar
In "Brihadeeswara", Bala Devi Chandrasekhar delved into the depths of the famous Thanjavur architectural marvel.
A Bharatanatyam ballet tracing the descent of a mighty river
- Aishwarya Upadhye
Inspired by a mountain climbing expedition in the Himalayas, this
two-hour long dance drama fused with Kalaripayattu and Odissi traces the
journey of the Ganga from her origin in Gangotri.